The House on Mango Street: Literary Analysis,The House on Mango Street Persuasive Essay
WebThe House on Mango Street Essay Good Essays Words 5 Pages Open Document As a young girl, Esperanza is a young girl who looks at life from experience of living in WebThe House on Mango Street is a novel by Sandra Cisneros that was first published in Summary Read one-minute Sparklet summaries, the detailed section-by-section WebNov 26, · The House on Mango Street by Sandra Cisneros is told from the first-person perspective. The narrator is Esperanza Cordero, who begins the story as a young, poor WebThe House on Mango Street is written by the Mexican American writer Sandra Cisneros which is a Very interesting novel. The center character of the novel is a twelve years old WebThe House on Mango Street is a novel written by Mexican-American writer Sandra Cisneros. Cisneros depicts the life of a twelve-year-old girl, Esperanza, who within a ... read more
Rafaela is another case of the regular lady figure on Mango Street. This entire circumstance works two different ways and Esperanza can see that. The House on Mango Street Essay. com, Mar 20, Accessed February 7, com , Mar Make sure your essay is plagiarism-free or hire a writer to get a unique paper crafted to your needs. Don't know where to start? Give me your paper requirements and I connect you to an academic expert. Plagiarism checker Do the check. Writing Help Ask for help. Paraphrasing Tool Paraphrase my essay. Exclusively available on PapersOwl. Cite this. Topics: The House on Mango Street. Category: Culture. Pages : 2.
Words : Download: Order Original Essay. How it works. For any subject. Did you like this example? As the novel portrays, these two needs are purely inseparable. From the narrative, it can be deduced that the house that she craves for is a symbolization of writing, or a place that plays an enormous role in accomplishing it. As ones reads through the book, it is vivid that being a writer, and in turn owning a house are Esperanza's prerequisites to self-identity and freedom. Ideally, she seeks self-empowerment through writing, while recognizing her commitment to a community of Chicanas Yarboro-Bejarano However, before achieving these two goals in her life, she goes through a lot of problems and struggles.
In addition, in her pursuit for these two objectives in her life. Esperanza has a diversity of female role models in her life. Similarly, many are trapped in abusive relationships, waiting for others to change their lives. Owing to these women and Esperanza's reactions to them, Cisneros not only shows the troubles that women face but also explores their power to overcome them. As such, it is evident that before achieving their dreams, women experience a lot of challenges, but as Cisneros portrays, all what is required is persistence and working on the goals. At the beginning of the novel, Cisneros portrays Esperanza as pitiable. She does not own a good house, and lives a poor life.
For instance, the nun who approaches here is baffled and scoffs at the very instant that she learns where Esperanza resides. The nun makes comments, you live there. A nun does not have any wealth nor possessions, and thus, for a woman of that status to pity someone, then it ought to be serious. As such, this proves that she lived in really poor conditions. In their dialogue, we also learn that Esperanza has a negative memory in relation to the house of Mango Street as shameful and embarrassing locale. In addition, the personification and feminization of the Mango Street is a symbolization of the entire women group that holds them back from conquering their goals and objectives in life.
For instance, the narrator is seen to reveal her incapacity to relate to others within the community she lives in. It is evident as she wishes that someday I will have a best friend all my own. One I can tell my secrets to Until then I am a red balloon, a balloon tied to an anchor Cisneros 9. This proves that the house in Mango Street adversely affects the ambitions her ambitions, and only after moving out will she achieve them. Therefore, her mission of taking a flight can be compared to the metaphor of a balloon that has been tied to an anchor, it cannot move unless the balloon is released from the anchor. The anchor is representative to the heavy weight exerted on her by the community, as well as the familial duties, the racial and gender challenges that she faces.
However, Esperanza does not let this come between her hunt to achieve her ambitions. Her ancestors had previously followed that path but ended up not succeeding in life. Also, she is aware of all what is happening in her community. For instance, she sees Cathy leave the Mango Street neighbourhood, and also makes her realize how it was changing, and therefore strengthens her believe that there is a possibility that she and her family could leave, and therefore, Cathys move out of the neighbourhood makes her yearn more of the thought of leaving. Can't you see they smell like a broom?
Cisneros 14 ''. She decides not to follow that path because from her viewpoint they all failed. For this reason, she decides to follow the American dream, outside her community and the house in Mango Street. She is for the assertion that living outside the impoverished house will be safer and will instil a sense of belonging. As such, in order to pursue the dream, she has to let go of the Mango Street and her Chicano community. One way of doing so is learning English because she believes that learning the language will be important is eliminating the language barrier that exists between her and the outsiders. Hence, Esperanza finds her literary voice through her own cultural experience and that of other Chicanas Yarboro-Bejarano Essentially, Esperanza thinks aloud pertaining to her identity, particularly in her naive and subconscious ways.
Primarily, she is Chicana or American by birth, however, she is Mexican when it comes to parentage. As such, she considers herself to have dual identity, which paves way to her perception of two possibilities of anything that she come upon. For example, her name was originally an English word that meant hope; in Spanish, however, it had a negative connotation. It meant too many letters waiting and sadness. The House on Mango Street and Cry, the Beloved Country both involve themes emphasizing the home and family. From the old umfundisi seeking for his prodigal son to Esperanza searching and wanting a place of her own, both of these prolific stories In Sandra Cisneros's The House on Mango Street, the narrator, Esperanza, recounts brief incidents and memories that shape who she becomes as she grows from a child into a young woman.
From the beginning, her hope for the future is represented Cisnero's acclaimed work The House on Mango Street explores a variety of themes in her photographic stories which capture everything from the seemingly banal triumphs of a small child to the tragedies suffered at the hands of cultural and social I am too strong for her to keep me here forever. One day I will go away. They will not know I have gone away to come back. For the ones I left behind. Sandra Cisneros attempts to reconstruct the traditionally patriarchal realm that is the house and negotiate a space for women. As a teenage Latina
The House on Mango Street is a piece written by Sandra Cisneros, an American of Mexican Heritage. It was published in and details a year in the life of a young girl, Esperanza Cordero, who moves to Mango Street, a Mexican enclave of Chicago, at the age of twelve. The story deals with relationships, family, neighborhood and the aspirations of the main character to own her own house. The house that she and her family move into is the very first house they have owned, but Esperanza is disappointed with its dilapidated state and longs to own her own house.
The House on Mango Street is a coming of age novel that explores the challenges of being different and the drive to carve out a place for yourself in the world as a young Latino woman. Esperanza and her family, comprised of her father, mother, her younger sister, and two younger brothers moved to a house on Mango Street. It is the first house that they own as a family, and is located in an impoverished section of Chicago, Illinois. The family has lived in many different places, and Esperanza ponders on how much they have moved around throughout the years. Although she is glad that they own a house, she is disappointed by it because it is not what she expected, even though it is a significant improvement from their previous residence.
On moving to Mango Street, Esperanza makes new friends, among them Rachael and Lucy, who live along the same street. She, alongside her sister and her newfound friends, explore the neighborhood and have many adventures in the process. On the verge of adolescence, the girls feel sexually vulnerable at times, such as when they stroll around their neighborhood in high heeled shoes. Esperanza experiences this sexual vulnerability first-hand when she is kissed by a much older man at her first job. Cisneros Esperanza describes one of her friends who influences her in more ways than she knows when it comes to understanding her sexuality. Marin is viewed as someone who is lives a fun rebelious lifestyle, and Esperanza looks up to her superior knowledge of womanhood.
Ultimately her beliefs and her perception of people are changed. For the first half of the year, the girls are still firmly rooted in childhood and are more than excited to make the very most of their youth. They play games such as skipping rope and ride their shared bicycle around the neighborhood, as well as explore the local junk shop. Esperanza goes to school but feels outcasted there because she is embarrassed by her uncommon name and ashamed because her family is poor. Esparanza has trouble fitting in at school and at home, but she continues to grow up and find her way of fitting in. However, over the summer, Esperanza slowly loses her childhood to puberty. Physically, sexually and emotionally she matures significantly Cruz For the first time, she is excited boys begin watching her dance and takes great pleasure in fantasizing about them.
Her hips grow, and she experiences her first crush. During this period, she is sexually assaulted and starts to write in a bid to escape the neighborhood and as a means of self-expression. She only shares the poems she pens with the trusted, mature women in her life. Her bond and affinity for the adults are strengthened when her grandfather and aunt passed away, and she starts to pay close attention to the women along Mango Street. She realizes that they are more stuck in their houses and situations than she is. Esperanza explains that she is named after her grandmother, a headstrong woman who refused to be married until her great-grandfather literally kidnapped her and married her forcefully.
After that, her grandmother spent her days gazing sadly out of a window. She and her grandmother were born in the Chinese year of the horse, which is supposed to be unlucky for women. Esperanza refuses to believe this and states that she thinks the story of the name is a lie made up by men who are uncomfortable with strong women. She fears that she will be stuck, just like her great-grandmother and the women on Mango Street. At the start of the school year, Esperanza becomes friends with a girl named Sally, who is more sexually mature and experienced than Esperanza. Sally is abused by her father and uses boys as an escape mechanism, and this makes Esperanza uncomfortable.
Their friendship results in Esperanza being sexually assaulted by some boys when Sally leaves her alone. When, however, she is strong enough emotionally to leave, Esperanza is unable to do so fully, and she realizes that she will never be able to detach herself completely because she feels the need to help the women of Mango Street. By the end of the year, she has matured tremendously, and her desire to relocate is even stronger. She uses writing to escape emotionally from Mango Street with all its challenges and appreciates that writing will eventually help her to escape physically as well in the future. The House on Mango Street is a study in contrasts. Although it is a continuous story, it is broken down into vignettes that are part of the whole but can be read on their own.
This is a representation of the characters in the novel, who lead separate lives yet come together to weave the story in the book. The vignettes are of varying lengths, indicative of the different kinds of impact the different characters have on Esperanza Sun This could be interpreted as Esperanza wanting to make a clean break from her current life and start fresh, unburdened by her past or aspects of her current life Cruz Her community places a certain expectation on women, and she feels the need to break free of these expectations. She also wants to run away from the poverty of her neighborhood and the oppressive expectations and living conditions of the society. Women in her locality have limited options, and their only major recourse seems to be marriage, and Esperanza is keen to broaden her prospects, hence her desire to escape.
This is particularly emotional when contrasted with the women on Mango Street whose lives seem to be stuck beyond a certain level. Through the actions taken by the other older women and the consequences of those actions, Esperanza is presented with many paths to choose from, with the consequences played out in front for her. In a way, the lives of the older women act as a roadmap for her. Another key theme in this book is choice. In Mango Street, people make different choices and bear the consequences. Characters who resign themselves to their circumstances are pictured as stuck and unhappy, while others, such as Marin, work hard to grasp at shreds of happiness and strive to make their desired life a reality at any cost. Although negative things do happen, such as Sally being abused by her father, ultimately, everybody has some sort of choice in how he or she responds to the circumstances.
Another theme is the pursuit of self-identity, which influences everything that Esperanza does. She defines herself as a writer as well as a woman, although her perception of both changes as the novel progresses. At first, Esperanza wants to change her name to something that is less difficult to pronounce, and that would tie her to her family, and acquire another one she feels defines whom she thinks she is. She wants to move to her own house where she can forge her own identity Burcar , Fluminensia: Journal for Philological Research After she becomes sexually aware, Esperanza wants to be beautiful, so as to be attractive, but cruel enough that men will not try to hurt her.
To this end, she becomes friends with Sally, who is more sexually experienced. However, after her sexual assault, she no longer wants to be cruel and beautiful and is unsure of how to define herself as a strong woman. Eventually, Esperanza stops trying to separate herself from her family, heritage, and neighborhood by acquiring a new name and accepts her position in the community. She no longer forces herself to develop sexually when she is not ready and chooses to define herself regarding her writing. Esperanza learns that the important thing is not how others see you or define you externally, but how you view and define yourself on the inside. On Mango Street, gender roles are entrenched, and men have no issues with beating up their wives and daughters or confining them to the house.
Esperanza fights this stereotype by rejecting gender roles, refusing marriage and by not acting like a powerless female, as expected by her community. By rejecting stereotypes, Esperanza reclaims her freedom and gains a sense of power. Friendship runs course throughout the book. Esperanza feels isolated and strives to address this by seeking out friendships. She has many types of friendships, those of her peers and older women. As she matures, so does the depth and intensity of her friendships. At first, friendship entails sharing a bike and playing together and blossoms into something that depends upon much more substance and shared values.
Esperanza feels that women are isolated and should, therefore, be responsible to look out for each other. Femininity is a major part of The House on Mango Street, and Esperanza strives to understand it, especially with her dawning adolescence. She notices that beauty is the basis of feminine power and envies the beauty of the women close to her. However, she realizes that beauty is not a guaranteed source of power. She strives to gain power that is more enduring, and which grants her freedom hence her interest in writing. Sandra Cisneros uses simple but poetic language to communicate, and this gives The House on Mango Street an interesting tone.
She includes Spanish phrases that give the narrative authenticity and color. The break from proper grammar and the use of slang adds to its authenticity and immediacy and draws the reader in as though he or she is part of the story. Although the story is told in the voice of a young girl, it is convincing and believable because of the language used and the details provided. The reader is drawn into the story because it feels so light and immediate. This seeming randomness explores different themes such as identity, loss, escape love, friendship, and roles without seeming to.
Her style addresses taboo subjects such as violence and sexual assault matter-of-factly yet sensitively, without making the subject a victim or a statistic. She explores sexual inequality and oppression without apportioning blame. This makes The House on Mango Street feel more real and authentic to the person reading. The House on Mango Street is a narrative that addresses culture. It points out the challenges that Chicanos face and the derogatory stereotypes they encounter and perpetuate. The writer uses language as a metaphor for the divide that exists between Mexican Americans and the rest of the country. Language and culture play a part in segregating Chicanos but what keeps them isolated is mainly racism and poverty, which ultimately brings shame. Therefore, the isolation is brought on them by people of other cultures and by the Chicanos themselves.
The House on Mango Street strives to capture the sense of being different experienced by people when they move from their original home. It brings out the challenges faced by women especially, more so young girls, who may not feel that they are good enough. It captures perfectly the challenges immigrants face because of being poor, different and from a different culture Sun The book strives to show that being different need not be a source of embarrassment. Rather, it can be a source of celebration and pride. It explores the challenges that come with being different and the consequences of letting fate run its course. It explores the challenges young girls face when they are coming of age, and addresses the choices they make and the likely consequences of those choices.
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WebMar 15, · The House on Mango Street is a piece written by Sandra Cisneros, an American of Mexican Heritage. It was published in and details a year in the life of a WebThe House on Mango Street Essay Good Essays Words 5 Pages Open Document As a young girl, Esperanza is a young girl who looks at life from experience of living in WebThe House on Mango Street is a novel by Sandra Cisneros that was first published in Summary Read one-minute Sparklet summaries, the detailed section-by-section WebNov 26, · The House on Mango Street by Sandra Cisneros is told from the first-person perspective. The narrator is Esperanza Cordero, who begins the story as a young, poor WebThe House on Mango Street is written by the Mexican American writer Sandra Cisneros which is a Very interesting novel. The center character of the novel is a twelve years old WebMar 20, · The House on Mango Street by Sandra Cisneros is about a young lady who battles discovering her actual self. Esperanza sees the average figures like Sally and ... read more
Even with all the issues that Esperanza faces, she uses […]. For any subject. She wants to move to her own house where she can forge her own identity Burcar , Fluminensia: Journal for Philological Research From the old umfundisi seeking for his prodigal son to Esperanza searching and wanting a place of her own, both of these prolific stories Both novels are telling the general story of the respective authors through pseudonyms, Esperanza They don't look down at all except to be content to live on hills. The people who achieve their goals are those who are motivated and determined to do so.
Hook: In the coming-of-age novel, House on Mango Street, the main character Esperanza narrates house on mango street essay story through her perspective of the situations she encounters as she grows older in her new neighborhood. Esperanza explains that she is named after her grandmother, a headstrong woman who refused to be married until her great-grandfather literally kidnapped her and married her forcefully. She also goes on to talk about how the racial divide she felt, even at a young age, influenced how she felt about the world. Cisneros depicts the life of a twelve-year-old girl, house on mango street essay, Esperanza, who within a year transforms into a woman. Both novels are telling the general story of the respective authors through pseudonyms, Esperanza If an adult rather than a child, a boy rather than a girl, or someone of another ethnic background or socio-economic class told the story, it would have been very different.
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